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For many years, the Juggernaut was consistently shown to be all but unstoppable, able to shrug off attacks capable of crippling cosmic entities like Galactus and Mephisto. Then during Onslaught , the Juggernaut gets a taste of The Worf Effect , as he gets knocked clean across two states and ends up comatose for several days just to show how badass Onslaught is. Things only went further downhill under Chuck Austen 's pen. Juggernaut, who before had been capable of going for weeks if not years without air, food, or water, can suddenly drown in Austen's first story featuring him.

There was absolutely no explanation for why the Juggernaut was suddenly very stoppable, and later authors have scrambled for something. The latest line comes from Fear Itself : The Worthy , which says that Juggernaut's power goes "up and down on Cyttorak's whim". That is something that has never happened before, not even when the Juggernaut went dimension-hopping with Doctor Strange and tried to kill Cyttorak when coming face to face with him. For another example, when the Juggernaut screwed up a bet between Cyttorak and other deities in The Eighth Day, he was confirmed to still possess unstoppable strength from Cyttorak's enchantments in the follow-up story The Ninth Day.

In the Teenage Mutant Ninja Turtles episode "Planet of the Turtleoids", Bebop and Rocksteady exclaim that they're currently at the zoo that they came from, forgetting the fact that they were originally humans and not animals prior to being mutated. The Archie Comics series tried to explain that they gained the memories of the boar and rhino that they touched and morphed into, but that doesn't explain why this doesn't apply to any of the other mutants in the show. Turtles : "We are all Hamato Yoshi!

Splinter: "Ah shit, I'm gonna go chew on the wall. Putting aside personal taste, it was done to 'modernise' and make the characters seem realistic, as they believed it was impractical for these characters to not wear body armour. Except there is several major problems with this: Firstly, plated armour is not realistic modern armour, with armed combatants having long-since stopped wearing it in real life for good reason. Regardless of any protection it might provide, the suit would greatly reduce mobility of the wearer, as the plates would need to be suitably strong to properly protect against hits, and thus heavy , and while this wasn't an issue for melee combat, the employment of firearms rendered this ineffective as they would be sitting ducks.

This is seen in action in various live action adaptations, where the actors behind the characters have often talked about difficulty moving in the suit until changes were made, Batman couldn't turn his head , or even just observing the way an acrobatic Fragile Speedster fighter in the comics becomes a Mighty Glacier in the adaptation to accommodate the fact they can't move easily in the suit. Indeed, in real combat, it's generally recommended to wear only a limited amount of armour mostly on the chest and head , and otherwise wear light clothing like army fatigues, in order to allow full range of movement so that one can maybe dodge , as not getting hit is still preferable.

A justification for the above that's often given is to excuse the plates as being made of a fancy sci-fi material that's "light and flexible" to eliminate the problems with moving. However, if this is the case, there's no reason for this fictional material to even need to be plated; as demonstrated with Black Panther , who wears skin-tight Vibranium fabric that absorbs outside kinetic force, if you're going to go the route of creating a fictional, fantastical material for your armour to be both bullet proof and easy to move in, there's no reason to not just make it look like fabric.

Another issue that's overlooked is the way armour plates work, as in real life, the plates are designed to break when hit hard enough; this is to absorb the damage so that it's not carried over to the person wearing it. As such, the armour would need to constantly be repaired and replaced, which might be sustainable for someone like Batman, but for a street-level loner like Daredevil or a variety of other heroes whose secret identity isn't wealthy beyond imagination, it would be an expensive and difficult thing to maintain. By contrast, a simple fabric costume with only light protection would be much easier to repair even with a limited income, and is much easier to explain how they got ahold of the suit in the first place.

While the plates could just be strong enough to not break, this would turn the force of the bullet inward to the wearer and put them at risk of internal bruising. Also another problem that's overlooked is that these suits would be incredibly difficult to actually put on by yourself which is why knights formally had squires. Again, while not an issue for Batman who has a butler though this creates the hilarious visual of Alfred having to help Batman put on his suit , or any Crimefighting with Cash heroes who might have a machine set up to "dress" them, a loner hero with low income and an I Work Alone attitude would have difficulty. Even within the same circle as Batman, Batgirl and Nightwing both adopted looks like this in the New 52 , but while they were associated with and supported by Batman, they didn't have anyone to help them suit up at night.

In many cases, the character has superpowers that circumvent some of these issues such as Super Speed that allows them to dress themselves instantly, Super Strength to enable them to carry to extra weight and still move quickly, or some sci-fi handwave for how the plates are repaired , but in many of these cases the superpowers eliminate the need for the armour in the first place. While someone on the low-tier Super Weight like Deathstroke might still benefit from some heavy armour as he's not bullet proof though he does have an enhanced Healing Factor and is strong enough to not be incapacitated while wearing double his own weight in armour, a more higher-tier character just straight up doesn't need it.

The Flash and Superman both move at Super Speed to levels that are faster than bullets, so they're able to just dodge bullets, and their powers come with means to render them bulletproof anyway, so unless they're fighting a villain strong enough to still harm them, there's no benefit. In some cases, armour would be detrimental , as it would increase wind resistance when moving, add needless weight, and, while they're strong enough to move in it quickly, would still be uncomfortable.

Then there's just the fact that it's much harder to store these suits; while a fabric suit could be worn under one's clothing or folded and carried in a bag, plated armour would be much more conspicuous and harder to hide or take anywhere. While some super-powered characters might have means to get to their suit quickly, the non-powered heroes would need to have their suit hidden close by at all times.

In the Flash's case, where he carries his suit very heavily compressed in a ring and discounting how implausible that is in and of itself , having the suit be made of plate armor would make this practice outright impossible. Fan Works In Boys und Sensha-do! In Chatoyance's Conversion Bureau stories, Earth and Equestria are established early on as being governed by differing physics models, with Equestria and every other known alternate reality being permeated by a force which destroys any Earthly technology it effects. Early on the reason is given that Equestrian physics breaks terrestrial quantum mechanics, which underlies both biology and the advanced technologies of the world.

The details are further elaborated upon in Recombinant A Conversion Bureau Story , in which it is revealed that the Equestrian reality is completely and utterly divorced from that of Earth, to the point that its matter is composed of entirely different fundamental particles. Despite being intended to explain the differences between the two worlds, it actually raises questions as to how the two dimensions are able to interact at all. Briefs won't let her, which seems to play this trope straight at first. The subversion comes later when we discover that Dr. Briefs keeps cloning his wife to keep her young. When Goku randomly reads Krillin's mind , his only explanation for when he was able to do that is "Muffin Button!

The canon explanation being that he somehow acquired the ability while training in high gravity. Lemony Narrator Loose Change often tries to justify her insane conspiracy theories, all of which revolve around Princess Celestia being a secret evil overlord. The whole premise of the fic is Loose Change clearly twisting the facts to suit her own purposes , often relying on tremendous leaps in logic in order to make them fit. Loose Change even has some kind of self-awareness, often pointing out the glaring plot holes before handwaving it off with something even more questionable.

In one of the chapters, Loose Change tries to explain the question of Starswirl's place in the timeline, as he was recorded to live in two different time periods centuries apart. Loose Change says that Starswirl had a son, also named Starswirl the Bearded. But then this is complicated by the fact that she brings up that Starswirl specifically said he was infertile. So instead, Loose Change handwaves the problem away by saying Starswirl traveled back in time to create a time clone of himself who he then adopted as his son.

She then ends the chapter by saying that this is a totally reasonable explanation, and that questioning her makes anyone who does a moron. My Immortal 's author's notes often "explain" plot holes with bizarre nonsense. Particularly amusing is Tara the author apparently being under the impression that Snape hating Harry is a deviation from canon and explaining it thus: "da reson snap dosent lik harry now is coz hes christian and vampire is a satanist". Of course, Snape does hate Harry in the actual series and there was already a canon and completely reasonable explanation. The main character, Ebony, is in the Slytherin house to fit with her gothic persona since canonically, Slytherin is the most sinister of the houses and Tara wanted Harry, Hermione, and the Weasley siblings to be in the same house as Ebony even though they're canonically in Gryffindor, so she explained the house-swapping as a result of the canon characters turning evil.

But seeing as Ebony is fighting against the bad guys, why would she hang out with these guys if they were evil? The Nuptialverse has a self-admitted example: In a flashback, Twilight explains to Spike that it's impossible for ponies to shapeshift anything. This was meant to explain away why it never occurred to Twilight that the Cadance who didn't recognize her was an impostor and why the shapeshifting was a uniquely changeling trait.

However, it was pointed out that Twilight has shapeshifted several things in the show proper. The author has since rewritten it to state that shapeshifting one sapient being to another takes a load of magic, more than many can use, making it impractical for a pony to disguise herself as such. A semi in-universe example occurs in the fourth episode of Peeking Through the Fourth Wall a fanfic where characters from The Loud House mock their fanfiction reading the fanfic Road Trip Rage where Lincoln suggests two explanations for his sisters in the story not acknowledging his absence, but neither is satisfactory. It could have been an accident, but then how come they were so oblivious? Or they could've done it on purpose to nab his seat in the car Lucy also offers an explanation for why Lincoln is acting as though they reached the park when the restrooms were behind the van so logically they should be in front if they were going back from the park they spent their day at the park and went in a circle , but that makes even less sense, because how could they have gone that far without noticing Lincoln was gone?

He doesn't know who it is, but he's working to find out. In the middle of his efforts to find the traitor, the narrative comes up with an explanation of how he knows there's a traitor to begin with: God told him. Why didn't he tell Jerry? Grover is one of several characters who have a habit of dying and then coming back to life without explanation — he's killed three times in "The Evil Gods Part I" alone. The narrative explains that this is because he is being cloned. But no such explanation is given for all the other characters who die and come back multiple times.

In The Loud House fanfiction Singled Out no relation to the episode , Lola's uncharacteristically evil behaviour is explained away by a reveal that she's Satan , but that just raises more questions: Doesn't Satan have better things to do than take the form of a random six-year-old girl to be a pain in the neck to an equally-random eleven-year-old boy? Also, Lola blackmails Lucy with knowledge that she practised dark magic, so couldn't Lucy just as easily blackmail Lola with knowledge that she's the devil? Also, if Lola had Satanic powers which could explain Lisa's reasons for going along with it , why use microchips?

Was Lola a normal girl who was corrupted by Satan, or did Rita her mother give birth to a normal girl Lana and Satan at the same time? While the rewrite of Sonic X: Dark Chaos does a great job of filling the numerous plot holes in the original, a few explanations do fit this trope. If Tsali is so powerful, why didn't he just kill Sonic and his friends in the very first chapter?

It's because Maledict was monitoring him and ordering him not to. But this turns into a plot hole because Tsali can still resist and defy Maledict - which exactly what he does later as the animosity between them grows. Downplayed later on, as it's revealed that Tsali is terrified of pissing off Satan and for good reason and when he ignores Maledict and decides to attack the Blue Typhoon in Episode 73 , he fully expects to be harshly punished for it Exposure to Dark Chaos Energy is established to be able to rapidly evolve Shroud parasites.

Despite this, during his fight with Dark Tails in Episode 69, Tails does not lose control and mutate into Shroud Tails. This is explained later on - Tails has to directly absorb Dark Chaos Energy to mutate. However, this doesn't explain his first mutation in Episode This is handwaved later on that the transformation in Episode 67 was an angry "spasm" rather than a full evolution, but it's not much better. Realistic Pokémon : RJ refuses to make Ghost-types actually ghostly because "ghosts aren't realistic", yet his fire-types still breathe fire, his electric types still shoot electricity, his water types still shoot impossible quantities of water, and his psychic types still have psychic powers.

One could argue that, while ghosts defy the laws of physics as we know them, generating fire, electricity, and water organically do not, at least in theory. But it's still an odd place to draw the line. When asked why she didn't use it earlier when Phoenix was trying to hunt her down she claims that overusing her Super Mode can kill her. What makes this handwave fail is that, in battle in question, Maya was completely screwed and she knew it. Phoenix had her already defeated, ready to kill her, and the only reason she's alive was that she accidentally mentioned Mia, who was her sister and Phoenix's mentor, and because of that Phoenix changed his plans to take her alive instead.

Until that point it was basically a choice between certain death and possible death, and Maya choosing the former comes across as Too Dumb to Live. Lampshaded in Yu-Gi-Oh! The Abridged Series , when the supposed ghost of Kaiba turns into a This is meant to poke fun at an edit done by 4Kids' Macekred dub; in the original version, the "clown" is simply a master of disguise hired by Pegasus to eliminate players unfortunate enough to cross with him.

In the 4Kids version, he actually is Kaiba's evil side brought back from another dimension, which raises a whole host of questions that are never given even cursory answers. Gay Clown: Actually, I'm not a clown. I'm Seto Kaiba's evil side brought back from the Shadow Realm by Pegasus — Yami: That's even less believable than the whole ghost story! You don't even know what you are, do you? Gay Clown: No Yami: Didn't think so. When Felicity counters that Oliver defeated Malcolm the last time they Sara explains this as Oliver taking advantage of Malcolm's hubris which won't work again; and that given that Nyssa has been trying to kill Malcolm for months, she's the best person to train Oliver.

The problem is that: 1 Oliver already has League training from Ra's al Ghul, so there's nothing new for Nyssa to teach him, 2 Oliver killed Ra's in personal combat-something Malcolm was never capable of, 3 his previous defeat Malcolm was such a Curb-Stomp Battle that hubris doesn't adequately explain things, and 4 given that Nyssa has never been able to defeat Oliver or Malcolm, she wouldn't be a good teacher anyway. Films — Animation Bambi has one in form of how fast the characters age.

The original movie implies that the Spring after Bambi's Mother died is the immediate Spring afterward, making it rather strange that Bambi has suddenly undergone a big growth spurt when we had last seen him as a scrawny fawn to say nothing of how Bambi should have already been close to that large by winter if real life deer aging is taken into account. At least one of the Dell Comic adaptations of the first movie, as well as the midquel movie, tries to Hand Wave this by stating that the spring we see Yearling Bambi in is actually takes place a year after that fateful winter and isn't the immediate spring, which gives a much more plausible length of time for Bambi to grow so much.

But then another Disney comic adaptation also stated that it was the immediate spring and not a later one. And then the Dell Comic book adaptation of Bambi's Children throws a wrench into all of this by having the eponymous fawns abruptly shown grown up after winter via a Time Skip —but this time, the narration explicitly points out that it's the immediate spring and not a later one! Despicable Me heavily implies although never outright states that Gru created the Minions, since we see a "blueprint" of a Minion in the background of a shot of Gru's lab.

However, when it came time to do a spinoff featuring the Minions , that was understandably too restrictive, so the Minions instead became creatures that existed since the dawn of time to serve evil. Of course, that leads to some very awkward questions - not least, did Hitler have Minions? So instead, the Minions became depressed after the defeat of Napoléon Bonaparte and hid in a cave for years, conveniently avoiding the horrors of the 19th and 20th centuries until they pop out, er, at the height of the Cold War. An awkward handwave to deal with an awkward handwave, but probably better than the alternative. Still leaves quite the Inferred Holocaust on the Minions' hands, though, considering it's still likely they butchered countless people under the servitude of the worst Roman emperors, Attila the Hun, Genghis Khan and in the Crusades and the Spanish Inquisition.

Another Voodoo Shark is that the Minions movie mentions the minions always follow the most evil creature they can. Seeing as Gru suffers heavy In-Universe Villain Decay starting from the first movie , which only gets exacerbated in the second at least in the first movie he was trying to commit an act of supervillainy by shrinking and stealing the Moon. In the second he's actively working against villains like El Macho , it makes one wonder why the Minions bother to keep following him at all instead of changing their allegiance to another, more competent and malevolent villain. However, in the third movie, the Minions finally ditch Gru because they wish to be villains again. It doesn't stick so they can help him defeat Balthazar Bratt, but in the long run, they go to work for his brother, Dru.

In Felix the Cat: The Movie , The Duke of Zill, the ruler of an alternate dimension Felix travels into, based his giant Master Cylinder off of the one in Felix's dimension to serve as his ultimate weapon and the source of power for his mass-produced cylinder army. It's particularly glaring as the writers could have just as easily not had an alternate universe at all and, if they even felt the need to explain "Oriana" in the first place, simply had it be a different country which Felix traveled to.

Freddie as F. The American release, which had among other changes a different narration , explains that he used his magic powers to Time Travel to the future. However, this explanation just raises at least two further questions. If Freddie could travel through time, why didn't he go back in time and prevent his parents' murders? And how is Messina, Freddie's enemy from the past, still around? Did she go to the future too? If so, why? The Lion King : The hyenas in The Lion King were already Scar's goons when the film opens, but the film is a bit vague on the details when they started working with him, besides Scar seemingly getting them to follow him at some point in the past, something that some viewers felt didn't make sense or needed more explanation.

The version changes it so that the hyenas join Scar after their first encounter with Mufasa in the Elephant Graveyard, with Scar winning them over by promising stuff to them. The problem with this change is that it makes no sense for the hyenas to trust Scar and Scar's promises are completely empty at that point. It also makes Scar telling Simba to go to the Elephant's Graveyard make no sense — since the hyenas aren't on his side now, there was no way he could tell anything would happen to Simba, making it look stupid on his part. In the original The Lion King , Scar's plan to get rid of Simba and Mufasa was to make it look like the two died in an accident caused by a wildebeest stampede.

When Simba survived, Scar quickly tricked Simba into thinking it was his fault Mufasa died and told him to run away. This led to some viewers being confused about whether that was Scar's plan all along rather than having Simba die, since his reaction afterwards didn't seem too startled by Simba surviving though that might be explained if he saw Mufasa put Simba on a safe ledge , leading to questions and theories about this being his true motive. The Lion King version uses this idea for the scene, having Scar make Simba think his roar was the cause of the stampede and pinning the blame on him. The issue with this change is that Scar had no way of knowing that Simba would survive the stampede.

Plus the entire idea of it being Scar's plan all along in the original film was a misinterpretation of the scene, as it was clear that Scar meant for Simba to die. If Simba had died, then what good would it do to have him think it was his fault that his father died, since Simba would be dead shortly after anyway? Furthermore, by making it where Scar tells Simba to practice his roar, Simba feeling it was his mistake doesn't make sense because Scar was the one who told him to do it, so in theory he should feel Scar tricked him, but instead it continues the way the original film did.

However, during production somebody realized that since Scar was Simba's uncle, this would make the two Kissing Cousins , so instead Kovu is explicitly not Scar's son. He's just Scar's appointed heir, who looks just like him , with a mother fanatically devoted to Scar and no other potential father in sight. The aforementioned realization seems to have been made late during production, as certain dubs claim he's Scar's son anyway.

The Fall of Sunset Shimmer comic explains this by showing her finding notes revealing the other world, presumably including that info or enough for her deduce this. This only raises the question of how whomever wrote the notes knew it would affect the Element, as it was only in the possession of the Princesses who state they never went to the other world. The Unshaved Mouse refers to Pocahontas suddenly being able to communicate in English with John Smith after listening to the wind with this exact term linked to this very page.

He did it again in his Atlantis: The Lost Empire review, when he called out the movie's explanation of the Atlanteans' ability to speak surface languages as Atlantean is the root of every modern language, which means they can automatically speak English. If you don't know why this is complete bullshit, consider the fact that even Old English is nothing like the modern language, and knowing one will not help you understand the other. The Nostalgia Critic complains in his Quest for Camelot review about trees and plants in a forest becoming animate during a musical number.

During one of his "Fuck-Ups" videos, he says that a frequent user response was that the forest was enchanted. He points out that this just raises more questions. He also points out that some of the movie's other "explanations" like Ruber getting his potion from some unseen witches who are only mentioned once fall into this trope. So why didn't Elfangor just morph and demorph to heal his injuries?

In The Andalite Chronicles he claims he was "too weak to morph," but he had enough strength to give a multi-chapter Info Dump and a token fight before Visser Three killed him, and the Animorphs have frequently managed to morph under more dire conditions. This is chalked up to Early-Installment Weirdness , as K. Applegate freely admitted that she forgot about or changed aspects from the earlier books. This provides a case in point: in Megamorphs 2: In the Time of the Dinosaurs Tobias gets his wing broken.

He tries morphing and demorphing, but his wing is still broken, so apparently only your morphs heal that way and not your regular body. Except that in Megamorphs 1 , Rachel specifically mentions how the scratches and scrapes on her human body are healed after she de-morphed. Another explanation suggests that morphing can't heal them when they're Time Traveling , but there's no reason for that to be the case.

In the beginning of the novelization of Back to the Future , unlike the movie, Doc says he got the idea for the time machine by having a dream about the DeLorean many years ago. But then this implies that he would have inspired the DeLorean Motor Company, and not the other way around, and raises questions about how that interaction would have worked. The Cold Equations , to necessitate its infamous events , claims that the ship is so stripped-down and minimalistic that it only has enough fuel to carry one person and some supplies on the journey, and therefore the only option is to kill the second person. Ignoring the massive amount of No OSHA Compliance involved in this, descriptions of the ship suggest that not only is it a lot more spacious than such a statement would imply an airlock, a closet large enough to hold one person , but it's got quite a few things that could be thrown out the airlock instead, including a chair.

The author was basically ordered to make a story where science doesn't save the day. It took several rewrites, since he kept finding a way to save the girl; even so, many readers can still find enough details to ask "Why didn't they try? Claus is left confused as to why they'd do that. He thinks of two explanations— either they feel that if he finds out they're childless it'd ruin his Christmas, or they're conning him out of gifts.

In the later Enderverse books, it's strongly implied that the "two-children-per-couple" rule was specifically created by the founders of the One World Order as a Batman Gambit ; such an obviously oppressive measure would provoke dissatisfaction such that the OWG would dissolve almost immediately once the existential threat to humanity was dealt with. Except what government do you know would intentionally install a mechanism to destroy it in the future? And if the government felt it necessary to dissolve after the threat was dealt with, why would it need a Batman Gambit in the first place?

The only explanation is that they didn't know how long the crisis would last and didn't trust their successors to dissolve the world government peacefully, but that explanation raises further questions as well. The first Goosebumps book Welcome to Dead House has a pretty big one: the whole town consists of undead, who are destroyed by sunlight ; at the end Amanda manages to push a tree down and expose them to sunlight, which destroys them.

Apparently they were tormented by their existence and thank Amanda for releasing them from their torment. While it does make for a bit of a Tear Jerker it also makes you wonder why the hell they didn't just walk into the sunlight themselves a long time ago. You could handwave it by saying they have some religious prohibition against suicide, but that doesn't really fly when you consider that it's not really suicide since they're already dead.

The TV adaptation fixes this by making them more villainous and leaving out the Tortured Monster part. Harry Potter : Harry Potter and the Chamber of Secrets has a minor Plot Hole : the Chamber's entrance turns out to be in the plumbing of an abandoned girls' bathroom, but it was supposedly built a thousand years prior to the series, long before the invention of modern plumbing. The resolutions to this have started to pile up on each other, and all have their own problems: The main claim is that the basilisk is travelling through a pre-existing set of tunnels used for other purposes, which one of Slytherin's heirs, Corvinus Gaunt, connected to the bathroom when it was built. But why would he even do that?

If he could access the chamber, why not just open it? And if he had to move the entrance to a new location, why the girls' bathroom? And given that he was apparently a student at the time, how the hell did he even pull this off without getting caught? The chamber entrance was supposedly moved in the s, but the toilets and sinks are much more modern than that — the U-bend places it at around at the earliest. So nobody noticed the entrance when they installed the new plumbing? Or are we expected to believe that the toilets and sinks are years old and predate the Muggle equivalents, when wizards are known for their stubborn adherence to archaic technology like writing with quills?

Are they unaware of the super-toilets they make in Japan these days? Harry Potter and the Prisoner of Azkaban introduces the "Time-Turner", a magical device that can allow the user to make brief trips back in time; the book not only establishes that time travel exists in the Wizarding World, but also that Wizards are fairly casual and relaxed about using it —since the Ministry of Magic agrees to give a Time-Turner to Hermione who's thirteen years old at the time so that she can fit more classes into her school schedule by taking multiple classes at once.

But after the device played a major role in the climax of The Prisoner of Azkaban effectively serving as a Deus ex Machina that enables Harry and Hermione to rescue Sirius Black from the Ministry , many fans questioned why time travel wasn't used to solve problems more often. Later works gave a few different answers to that question, most of which just served to make the issue even more complicated.

In Harry Potter and the Order of the Phoenix , the climactic battle at the Ministry of Magic includes a scene where Neville Longbottom accidentally blasts a cabinet full of Time-Turners, destroying them all in one fell swoop. Rowling later claimed that said cabinet contained the Ministry's entire supply of Time-Turners , meaning that they couldn't be used to solve any problems in the future. For understandable reasons, most fans found it incredibly hard to believe that the Ministry would keep every single one of their Time-Turners in the same cabinet without bothering to protect them. Even if you accept the Hand Wave that the Ministry's security systems were deactivated at the time, that still doesn't explain why they would be dumb enough to keep all of their Time-Turners in the same place.

Pottermore attempts to further patch this by declaring that time traveling more than a few hours is incredibly risky, and notes that there are hundreds of laws relating to using them properly, to the point that Time Turners are, ironically, mostly only used for the kind of minor tasks shown off in the book. But this doesn't jibe at all with either of the prior things we saw.

Hermione may be a dedicated student, but she's still a fourteen-year-old living in a shared dorm and school—even if she were so scrupulous a rulekeeper as to never use the device for things outside its intended purpose and she's demonstrably not , what if she lost it, or someone else were to steal it from her? And if the risks of Time Turner misuse are taken so seriously, then this just makes the "store all of them out in the open in a single cabinet" issue even worse. In the officially licensed stage play Harry Potter and the Cursed Child set after the events of the main series , the main plot is kicked off by Harry's son Albus using a Time-Turner to travel back in time to prevent Cedric Diggory 's death—inadvertently creating a horrific alternate timeline where Cedric joins the Death Eaters, ultimately leading to Voldemort conquering the Wizarding World.

The story was widely interpreted as in part an explanation of why Harry never used a Time-Turner to save Cedric in the main series, since it shows that doing so would have had negative consequences. But the story relies on some highly questionable logic to make this point among other things: it blatantly contradicts Cedric 's characterization in the main series , and it doesn't explain why nobody in the Wizarding World ever uses time travel to change the past; while preventing Cedric 's death is shown to have negative ramifications, that couldn't possibly be true of every change to the timeline surely not every wrongfully murdered person in the world was one bad day away from becoming a Wizard Nazi.

Not to mention: the play officially establishes that Time-Turners can be used to change the past rather than working on the principle of You Already Changed the Past , as many people had previously assumed ; if anything, this just makes it even more inexplicable that they aren't used more often. Later productions for the play add a line about Voldemort's daughter Delphi being the "ultimate Horcrux". While this theoretically could be used as an explanation for Delphi 's existence despite how Out of Character it is for Voldemort to have a child , it creates another Plot Hole : Delphi would have been alive during the events of Harry Potter and the Deathly Hallows —and if she's a Horcrux , that means that Harry didn't successfully destroy all of Voldemort's Horcruxes The Danish translation infamously created one regarding the name of Voldemort's father.

Detlev Jr. This created a problem in Harry Potter and the Half-Blood Prince , since it's a minor plot point that Voldemort shares a first name with Tom, the bartender at the Leaky Cauldron, whose name wasn't changed. In an attempt to fix things, the translator throws in a bit where Dumbledore explains that Romeo Detlev's real first name was Tom; Voldemort's mother just nicknamed him Romeo, a nickname that was later passed down to their son.

While this explanation does make sense, considering how obsessed Merope was with Tom Riddle, it unfortunately creates another problem: in Harry Potter and the Goblet of Fire , Harry sees the grave of Voldemort's father and paternal grandparents, and the name "Romeo G. Detlev" is chiseled on it. Why would Tom be buried under a pet name given to him by his Abhorrent Admirer who coerced him into marrying her rather than his real name? In The Rowan , it was assumed that "Prime Travel Sickness" — chronically severe vertigo caused by interplanetary teleportation — was simply part of being a Prime , the strongest level of psychic talent. The appearance of wild talent Jeff Raven , who could teleport between worlds with no ill effects, caused further investigation.

It was uncovered that "Travel Sickness" was the result of Prime Siglen imprinting her own condition an inner-ear defect that produced said severe vertigo on her peers and protégés — i. But there was explicitly three centuries between The Rowan and its prequel Pegasus in Flight. In that time period, either Siglen and her peers are the first generation of Primes, no Prime-level psychic talent attempted interplanetary travel via teleportation, or no one noticed that "Travel Sickness" wasn't a big deal until Siglen made it so. All of these are equally unlikely. The Pendragon Adventure : Alexander Naymeer's presence is meant to be explained by The Reveal that he was meant to be the Traveler of Second Earth who was going to mentor Bobby rather than Uncle Press , but this raises a great deal more questions than it answers.

How exactly he was meant to be a Traveler is confusing given that in the original timeline he seemingly died of tuberculosis long before Bobby was born or Second Earth became a territory. Press never at any point referred to another Traveler of Second Earth and Naymeer seemingly has none of a Traveler's powers, being limited to things that any acolyte can do with their ring.

He creates flumes, but this is implied to be because Saint Dane gave him the power to do so, and in The Soldiers of Halla it takes all 10 of the Travelers working together to perform a similar feat. He doesn't come Back from the Dead like any of the others do either, implying he was subject to Cessation of Existence once Saint Dane was done with him. There's also the question of why Nevva needed Mark's ring to give to him at all, given the later reveal that Saint Dane created the flumes to begin with. Was he not capable of making a ring for Naymeer? The eponymous planet in Poul Anderson's Satan's World is seen as valuable because, due to being a rogue planet temporarily passing by a star, it's a cold planet that nevertheless gains an atmosphere and hydrosphere.

This would make it a good place to build transmutation plants, which produce so much waste heat that they would sterilize an Earthlike planet if built on one. It's also mentioned that other rogue planets wouldn't work for this purpose due to being too cold to build on. Half of the characters are utterly terrified by it, to the point where Count Olaf is willing to abandon the sugar bowl to escape from it, and the other half have no idea what it is.

The closest thing to an explanation in the series comes from the Kit Snicket at the end of the last book, where she implies it's a metaphor for death. Fair enough. Then along comes the sort-of prequel series, All the Wrong Questions , where it's revealed that the Great Unknown is actually a sea monster called the Bombinating Beast with no particular connections to anything. This makes no sense at all. Why would the Quagmires and the Widdershins be willing to give themselves up to such a thing, particularly the Captain, who claims to know its nature? And why does Lemony continue to let his sister believe in something he knows isn't true, when he places such an emphasis on not deceiving people?

The Netflix adaptation , which confirms the Great Unknown to be a sea monster, notably removes the bit about the Quagmires and Widdershins giving themselves up to the Great Unknown, having the characters reunite under other circumstances. If that's true, and other people know it, the villains have a bit of explaining to do as to why they're willing to burn down half the planet in order to get their hands on some apple seeds. This gets even worse when you remember that regular horseradish plants are an equally-effective cure, rendering the sugar bowl almost completely worthless.

This is another one where the Netflix adaptation ends up patching the hole: the sugar bowl contains a special type of sugar derived from a botanical hybrid, which not only cures the poison but also grants permanent immunity to it. The old Star Wars Legends had something like this as official policy. The rule was that if you were writing something and found a contradiction, you couldn't just throw out the contradictory information, you had to find a way to integrate both explanations even if one part was considered more true.

For a long time, most writers were able to manage it, up until the release of an episode of the CGI Clone Wars animated series in which a Jedi master Even Piell is killed during a mission, when the same character was previously killed in a novel which had been published a couple of years earlier. Because George Lucas was much more personally involved in the production of the television series, it was what took precedence, and for what may have been the first time the people responsible for managing these inconsistencies had to throw up their hands and say that the other version just no longer counted but everything else from the same trilogy of novels did.

Twilight has quite a few, usually concerning Stephenie Meyer 's explanations about how a vampire's body works : Meyer states that when a human becomes a vampire, all of their bodily fluids are replaced with a type of venom. This presumably means that vampires are unable to have children, as the males can no longer produce semen. In fact, in earlier books Edward's siblings occasionally expressed envy of Bella's ability to have children as a human. But then, vampire Edward impregnates human Bella.

Meyer is now forced to backtrack , stating that the venom can take over "some of the functions" of the fluid it replaced, and that only female vampires can't have children because they cannot menstruate. But this still doesn't explain why the other male vampires didn't try to have children with human women if they really wanted to. Making this worse is that the resolution of Breaking Dawn is balanced on a report of a male vampire forcibly impregnating multiple human women to build a half-vampire army, meaning that at least one vampire has caught onto this, but apparently no other vampires in the world have.

In the first book, Bella is immune to Edward's mystic vampire telepathy , but Jasper can still use his emotion control powers to calm her down. In later books, Meyer makes it explicit that Bella is immune to all vampire powers, but now she needs to explain how Jasper can get through to Bella. She did so by saying that her immunity only protects her against mental powers, and that Jasper's power was physical because it directly altered her brain chemistry. This doesn't explain much, because Bella can resist other vampire powers that sure seem physical like electric shocks , and Jasper's power can affect vampires as well, who — as explained above — don't have those brain chemicals humans do because it's all been replaced with venom.

The Hitchhiker's Guide to the Galaxy Trilogy : The first book introduces the Babel Fish, a fish you can put in your ear which can translate someone's speech into any language by decoding the speaker's brainwaves. This is used to explain why all sapient life forms throughout the Galaxy are able to understand each other's languages immediately after meeting. However, in the sequels, that in addition to spoken words, Arthur is also able to immediately understand written or recorded messages from anywhere in the Galaxy as if they were in English, which is never explained.

Later in life, Theseus would be trapped in the underworld only to be rescued during Heracles's twelfth labor. The problem is that Theseus went to the underworld after he had kidnapped Helen, and the fallout of Helen's brothers Castor and Polydeuces attacking Athens led to Theseus losing his throne, which means that the entire hero career of Theseus must fit between the 7th and 12th labors of Heracles, but that doesn't leave enough time for Theseus to have had a son who grew to adulthood Hippolytus. Some Greek authors noticed this Continuity Snarl and attempted to solve it by suggesting that Theseus was instead rescued by Heracles' son Hyllus, but this just raises the question of what Hyllus was doing in the underworld in the first place.

Ereshkigal is mourning for him and gets to keep Inanna's husband Dumuzi for six months of the year, as Laser-Guided Karma for her trying to steal Gugalana and getting him killed in the first place. Shouldn't Gugalana be down there with her? One theory among people who have studied the myths is that Ereshkigal is merely the gatekeeper and cannot go into death itself to find him, though not enough of the original myth survives to confirm this.

Alright so far, but then how is Deadwood, the capital of the Sioux nations, a sky-scraping metropolis and a center for Ghost Rock Mining? The answer: the city and the highway connecting it to the rest of the country are lined with totem poles that protect technology spirits from nature spirits and allow tech to function. Where do these totem poles come from? Why don't enterprising people make more of them? It's never explained. A simpler explanation for how Devil's Tower still allows technology to function there's an active portal to the Hunting Grounds in the middle of it makes rather more sense.

Most likely, this is done for game balance reasons, but the in-game explanation is that wearing armor makes it harder to do the gestures for the spells properly. But if that's true, why is divine spellcasting that requires gestures completely unaffected by armor? Are cleric spells just less complicated, or something? And if mobility is so important, why doesn't encumbrance affect spellcasting? Why isn't there a Dexterity requirement for spellcasting if these gestures need to be so exact?

This is all compounded by the creation of several classes and prestige classes that can cast arcane spells while wearing armor without their spells failing, usually to compensate for weaker spellcasting. Generally no explanation is offered for their ability to bypass this restriction. And then 5th Edition finally dropped it altogether and ruled that the only restriction on casting spells in armor was whether or not the caster was proficient with whatever type of armor they were wearing at the time regardless of whether they used arcane or divine magic.

Many Dungeon Masters, and some official sources, attempt to rationalize the game's hitpoint system as being more like "luck", "skill" or Plot Armor , to avoid invoking Charles Atlas Superpower. Rather than a high-level warrior taking a battleaxe to the face and shrugging it off, he's really just getting nicked as he dodges aside or deflects the blow, but as his hit points diminish, his luck and ability to stay alive dwindle.

But this doesn't jibe with how hit points work in all other regards, where they clearly represent the physical toughness of characters or objects. It's especially problematic with healing spells, which are now largely "healing" a character's Plot Armor. Also, a character's hit points protect them just as well when they are submerged in acid, lava, or something else harmful it won't be pleasant, but it's absolutely survivable at high levels , when they can't possibly dodge or avoid it.

Most forms of stun or immobilized give the attacker advantage when attacking the enemy, a way to simulate the idea that when you attack, they cannot defend themselves, so you are able to hit them easier. However, you still can miss despite them being unable to dodge your attack. The issue with this approach however is that it doesn't make sense logically speaking. For starters, if it's a case of the player hitting the wrong spot, why would they hit there when they could hit anywhere else? While someone could have armor thick enough to block it, if the person lacks armor, it doesn't make sense for them to somehow not at least damage them.

This also doesn't work on things without armor since they shouldn't be able to just naturally tank an attack; how can a character miss hitting a stunned wolf with their sword if the wolf is unable to move and has no armor? It's almost entirely a gameplay mechanic without a way to justify or logically explain it from a story perspective. The general explanation is that when trying to hit a stunned or paralyzed target, you're still swinging fast because a combat round is only six seconds long and thus don't have time to line up a perfect hit every time.

An example specific to one monster: Time elementals which first appeared in the 1st edition but were later converted to the 3rd edition in the third party book Tome Of Horrors cause wounds that never heal naturally and make it harder to bring a victim back from the dead. The in-game explanation is that their attacks cause "cell death", the problem being that a lot of damage sources such as freezing cold or electricity also cause cell death in real life, at least , but aren't any harder to heal than normal. There is a spell called "Tasha's Hideous Laughter" that causes the target to start laughing so hard they can't fight. If the caster is a different creature type than the target e. The problem being that, most cases of Lost in Translation in real life, at least are due to two languages being too different to convey the full meaning or relying on a Pun that doesn't work in the target language due to the words being too different.

There's no reason to think if both creatures speak the same language, they would be unable to understand each other. The implication may be that some monsters minds are just too alien to understand human humor, but if that's the case, you'd think the spell wouldn't work at all on them. Overlapping with Unscientific Science and Misaimed "Realism" : the beholder monsters can fly without magical aid, even though they lack any wings or other body parts to do so.

One explanation for this was that beholders have an organ full of lighter-than-air gas, allowing them to float. There are two major problems with this: 1. If the beholders were filled with such a gas, they should just float away like helium balloons, rather than being able to control their altitude. Even if they can float, they shouldn't be able to otherwise move around without any wings, unless they can somehow fart out the gas to push themselves in a given direction, although if that was the case, you'd think they'd eventually expel all the gas and fall.

It would have made more sense to just claim their ability to fly was magical, as there are numerous other monsters who can fly just by magic, and no one seems to complain about it being too far-fetched in their case. The third-party adventure "World's Largest Dungeon" falls into this a lot. It proudly advertises having every monster in the game, with the Excuse Plot of taking place in a massive underground prison complex built by celestials.

Nonetheless, it ends up badly stretching that logic to deliver on its promise, which is nowhere more obvious than with its pseudodragon encounter. A pseudodragon is a Neutral Good creature that celestials would want to leave alone and that wouldn't make much of a prison guard, making its presence in such a setting rather dubious—so the book claims that the pseudodragon ended up there by mistake, as the celestials thought it was a baby red dragon. But while that very mistake is common for novice adventurers it's basically the reason pseudodragons exist , it makes no sense for someone even slightly knowledgeable about dragons. A pseudodragon is Tiny, about the size of a housecat , while a wyrmling red is Medium-sized, putting it in the same size category as a cougar or a St.

This isn't even mentioning that they're intelligent and capable of telepathic speech, so the pseudodragon should be able to point this out and ask to be released, and a simple Detect Evil spell which nearly any celestial can cast would verify it was telling the truth. So either the celestials running the dungeon are complete morons, or they're such paranoid jerks that they locked up the dragon anyway. The book includes a large number of Good-aligned celestials, including a solar angel. Solars are arguably the strongest creature in the whole Monster Manual, so it creates the obvious question of why the dungeon has fallen into disorder when a solar should be able to wipe out any troublemakers by himself, much less when backed up by the dozens of other powerful celestials in the dungeon.

To explain this, the book reveals that the solar is actually channeling his power into maintaining the prison on a powerful fiend, and assigns the players with retrieving an artifact stolen by demons which they need to keep the prison intact. Except said solar also has a planetar under his command, who is also much more powerful than any of the demons and should be able to retrieve said artifact in no time at all.

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